Fire Lilies (maybe?) Paintings 22 & 23 for Direct Watercolor Challenge

Day 2 of “patio plein air.” Paintings 22 and 23 of the 30×30 Direct Watercolor Challenge. This time I had to paint the blooming orange lilies. I have had several discussions on social about the name of these beautiful lilies. Our best conclusion is that they are the “Asiatic Lily, Orange Matrix” version of lilies. Nice!

Stage 1

I had no video camera to record the painting process, but I did remember to take a few process photos.

Stage 2

I began on wet paper with no pre-drawing. Though, because of the dry Nevada open air, the paper dried quite quickly. I painted the centers of the flowers first with the two warmest yellows on my palette, Hansa Yellow Medium / Deep, plus Permanent Orange (Daniel Smith). I painted the ends of the lily petals with Quinacridone Coral and let the coral swim into the yellow. I then added Quinacridone Rose (cool red) to turn the petals around the bend.

Stage 3

I added some foliage indications with Sap Green (Daniel Smith) and Ultramarine Light (Holbein). I added the Lily buds first with sap green and then the added Permenent Orange in the middles. While the paint was still quite wet, I put in the lily bud centers with one calligraphy line stroke and let the line diffuse.

Trying to paint so many lilies on such a small surface (7.5″x5.5″) left me confused as to where one flower ended and another began. Whew!

I added some light wet yellows and oranges to the top left to hint at more lilies beyond and added hints of new lily underbellies with the Red Rose and Red Coral in the bottom right.

“Fire Lilies” – Final Painting

After the painting dried back a bit, I added the stamen ends with the cool red and a new color Rose of Ultramarine (warm violet), stems with the coral. I couldn’t see the pistils, so I did not paint them. I added some of the Rose of Ultramarine to the foliage and ends of the petals.

I did not care for the painting while painting it, so I set it aside and painted another, focusing on larger flowers, painting one complete flower before moving on to the next.

Fire Lilies Too – Stage 1

Fire Lilies Too – Final Painting

I used the same colors and sequence as the previous painting.

For this one, I left the foreground indistinct instead of the background, painting the colors wet into wet in the foreground.

I let this one be more of a vignette and left the background white and untouched.

After a few days of “staring time,” I quite liked both paintings.

I appreciate all comments, questions, and suggestions. Thank you for stopping by.

 

 

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