Tag Archives: art teaching

Isn’t She Lovely Too?

Isn’t She Lovely Too

Portrait #7? Day 7 of my 30/30 Portrait Challenge. Yesterday I drew a portrait of my friend. Today I painted over the drawing. In art school, we often had to paint a grisaille tonal painting, then glaze over it with color. I have seen painting done with graphite watercolor pigment before. Why not try painting over my graphite drawing? I would only have to glaze the color with one value becaus the value is already there, right?

Isn’t She Lovely? Graphite

I saturated the paper front and back, then dried it back to damp. I used Cobalt Blue Violet, New Gamboge, and Quinacridone Red (all by Daniel Smith).  I kept the pigment strength on the face mostly to coffee. In the hair, I mixed in creamy strength violet, red and yellow. Some of the graphite dissolved a bit, but what remains creates some fun shadows and texture. I quite like it. “Isn’t She Lovely Too” watercolor on 140 lb cold press, 11″x7.5″.

Compare to graphite drawing. (Click on images for a larger view).

Is it fair to count these as two portraits? I had a discussion with “The Rule Maker” person. We decided we weren’t sure, so we painted another…just to be on the safe side (Stay tuned for next blog post).

This original painting is not available. Prints available upon request at size and surface of customer’s choice.

Isn’t She Lovely?

Isn’t She Lovely?

Portrait #6 for my 30/30 Portrait Challenge. I meet a friend for coffee on many Sundays. This time I shanghaied her into a photo “headshot” session, so I could have some good source photos for this challenge. I wanted to paint this in watercolor, but my Monday was a more than typical crazy Monday. I guess because this particular Monday is also the first Monday back from the holiday break.

Isn’t She Lovely (first draft)

Right after my next batch of “headshot” sitters came through the studio on Monday afternoon, I started the painting sketch process. But alas a customer came in and gave me the perfect diversion. If you’re going to be diverted, it may as well be by a paying customer, right?

Then I had to rush out and pick up my Little at the bus stop. There is no being late for the bus. They come when they come and if one is not there, Littles could be left feeling abandoned. I didn’t miss her, but it was close! The Little and I had a fun time talking about her latest style change in her drawings (She’s really good! Maybe she’s let me share some of her stuff here someday). After taking the Little home, now I’m well into my evening hours.

I do have a couple of travel watercolor kits at home, but now the kitties want attention (for some reason?). So I drew on my lap… because drawing. Nothing in my rules said the portraits had to all be PAINTED.

However, I did find I had left most of my drawing utensils at the studio. I had two lead holders, one thick, one really thick. The thick lead was HB or 2H or something (too light), so I was mostly relegated to the chunky lead, which made me think of my GREAT college art professor, John Erickson. But I digress.

I drew with the drawing board flat, which skewed my perception somewhat. As a result, in my first draft, I gave her too much chin. I made a few more adjustments to the far eye, the neck and mouth (see “first draft” image with lead holders), but now I’m calling it done. Here is a sketch of my friend, “Isn’t She Lovely?” Click on images for a larger view.

Isn’t She Lovely (Final)

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Feed Me!

Feed Me! watercolor 11″x7.5″

Portrait challenge 5/30 for my 30/30 Portrait Challenge.

I almost did not do this portrait. I had worked on a two-kitty portrait for two days and thought perhaps that was enough. Just as I prepared to leave the studio for home, I thought, “Okay, just do a quick sketch in preparation for tomorrow’s portrait. So, I put my things down, found a fuzzy source photo of me from a few years ago. My husband does most (actually virtually all) of the cooking for our household. We have a standing joke based on a Simon’s Cat video (Click link for a good laugh). When I’m anticipating dinner, I do the punch line of the video. Ha!

After doing a quick 10-minute sketch, I decided to put down some paint too. I saturated the paper front and back, and then mixed up some paint puddles in my mixing areas. This time I thought I’d try some secondary pigments (Daniel Smith’s Cobalt Blue Violet and Cascade Green), as well as Phthalo Blue, and try to stay to an analogous color scheme.

After drying the paper back to damp, I began with the violet and green, negatively painting around the head and hand. As I moved into the portrait, I decided I wanted skins tones after all, so I switched to Daniel Smith Pyrrol Red, Raw Sienna Light, and Manganese Blue Hue, using a bit of the violet for the darks in the eyes and hair.

I only painted the shadow shapes with coffee strength pigment for the first layer. I thickened the paint a bit for the second layer of value.

I had been videotaping the process. My camera beeped at me, informing me the SD card was full. I figured that was the painting gods telling me to STOP! Keep it a sketch. So I did. “Feed Me!” watercolor sketch on Arches 140 lb cold press paper, 11″x7.5″

Summer Solstice

Pots and Blooms

I do not know how it dawned in your neck of the woods, but in Carson City, Nevada, Mother Nature gave us a beautiful midsummer day on June 21st

Note, this blog post is a bit delayed. Those of you who watch the calendar will note that this posted on June 24th? Though, I did paint the 21st painting of the 30×30 Direct Watercolor Challenge on June 21st. I just have to catch up on the blog-0-sphere.

We experienced a perfect day with a temperature of about 78 degrees (F), a slight breeze, and blue, blue skies. If you have not experienced a clear blue sky in the mountain west of the U.S. (Nevada, Utah, Idaho), you have not experienced a blue sky.

Anyway, on this midsummer day, I could not bring myself to paint indoors. I took myself and my art supplies out to set up on the back patio table instead. Our backyard flowers happened also to bloom in midsummer glory; mini petunias in pots, coreopses, fire lilies, geraniums, snapdragons, roses, daily lilies.. all in splendiferous bloomage.

Stage 1

I attempted to capture it all but failed. So I flipped the paper over and just painted the coreopses, which were definitely the garden prima donna on this day. I just tried to capture the feel of them swaying in the wind. As a little girl, my favorite crayon color in the 64-pack was yellow-orange. Coreopsis!

I first just splattered Hansa Yellow Deep, Medium, Permanent Orange, and Sap Green (all Daniel Smith) in big splats on a slightly wet surface. I held my paper vertical, sprayed with my misting spray bottle underneath the splats to create drippy stems. (I only remembered to take a few process photos, since I did not want to drag a video camera out to the patio also).

Stage 2

I added more orange and green at the bottom of the yellow splatters and painted some foliage indications using pull-push calligraphy marks. I added some Ultramarine Light (Holbein) to blue down some of the leaves. I added more stem and leaf details and indicated some buds and “old” blossoms (darker orange and smaller).

Stage 3

I gave some of the flowers a little more shape and petal detail, but decided to leave most of the details out. I wanted to capture the overwhelming joy of the yellow-orange crayon colored flowers that greeted my eyes as I slid open the patio doors.

Summer Solstice – Final Painting

In the end, the painting made me happy.

If you’re interested in purchasing this painting for a mere $150 (with a gold frame and white black core mat), just click the Add to Cart button below. Pay with a PayPal account or a credit/debit card for $15 shipping charge). Those who wish to buy with a check payment or living far, far away from “CONUS” will incur additional shipping charges. Save the shipping charges and buy it off the gallery walls? Taxes additional.

This painting will part of the featured artist show with Artsy Fartsy Art Gallery in July 2018. I hope you can stop by.

 

 

“Summer Solstice” $150 (Framed)


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4th Painting 30×30 Direct Watercolor – Carson River

“River of My Mind”

Today I painted a “double duty” painting. I have a class on texture starting tomorrow and I wanted to continue with the #30x30DirectWatercolorchallenge. So.. How about a painting that satisfies both? On my morning walk, I meandered along the Carson River, looking for waterfowl. Mysteriously, the plethora of geese gaggles usually resident along the river and in the adjacent golf course are all but absent? I hope there has not been an effort to cull their numbers? Alas, on the far side of the course, I did see several families of geese with teenagers in tow. They seemed very leery of me and my camera.

Leery Geese

It was, however, a beautiful morning with much to see and admire. This scene I did without pre-drawing, wet-into-wet, and sans reference. ‘Tis all from my mind, which may explain why the water seems to be slanting sidewise? Ha!  But it does feel very “textury”, so I did get some good practice for my class tomorrow. This is an 8″x10″ study on 140lb Arches Rough.

In my mind’s eye, perhaps I was combining the two scenes below? Next time, maybe I will use the reference while painting?

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Click on images for a larger view. I appreciate comments, questions, and suggestions. Thank you for stopping by.