Tag Archives: teaching

Clark Superboy

Line Drawing.

Portrait #25 for my 30×30 Portrait Challenge. “Clark Superboy” watercolor 11″x7.5 on 140lb Arches cold press. Click on images for a larger view in a new browser tab.

I created this painting and the next one (#26) (see next blog post) over two days. On the first day, I drew the outline drawings directly on the watercolor paper.

The photograph was taken by the boy’s mother, Alethia Harmon, as he was readying himself for Halloween excursions.  Apparently, almost Superboy was fascinated with 3D glasses.  I think he looks like a young Clark Kent transitioning into being Superboy?

I decided to use Triadic Color Harmony, using primary colors, red, yellow and blue. I liked how the blue of the outfit reflected up into the skin tones, hair, and glasses. I used a combination of Cobalt Blue by QoR and Ultramarine Blue by Schminke for the blue tones, Quinacridone Rose, and Raw Sienna Light for the yellow. I used a mix of Rose of Ultramarine and Transparent Pyrrol Orange for the dark hair and all the colors mixed together for the dark of the glasses.

This time I painted wet-on-dry, painting with tea-strength pigment. I started with the dark hair, then moved down to the face, then the underlying blue of the costume. I painted the base of the glasses with blues, so when I added the darks, the blue would be the highlights.  I built up the value layers, thinking the paint. T After staring at this overnight, I realize I need to even up the glasses lenses. Stay tuned.

 

Barista

Barista – Final

Barista – Draft

Portrait #24 of my 30×30 Portrait Challenge. “Barista” 11″x7.5″ watercolor on 140lb cold press. Click on images for a larger view in a new browser tab.

This time, I just did a pencil outline sketch directly on the watercolor paper.

To begin the painting, I saturated the paper front and back. While the paper soaked, I mixed up five piles of paint; Cascade Green, Rose of Ultramarine (RoU), Transparent Pyrrol Orange (TPO), Raw Sienna Light (RSL), and Manganese Blue Hue; all by Daniel Smith.

I dried the paper back to damp before painting. I kept the paint at tea strength to start, painting the eye sockets, neck, light side, and under the chin with the green and blue and glazing with RoU. I used the warm tones; RSL, TPO and RoU for the checks, forehead, mouth, and nose.

I decided the Manganese Blue just did not allow me to get dark enough for the hair, pupils of the eye, mouth, eyebrows, and eyelashes, so I added some Cobalt Blue Violet to the mix. I mixed the blue-violet with orange for a rich dark brown. I used the raw sienna light for the lighter areas of the hair, and the orange for some of the warm shadows. In order to preserve the harmony of the painting, I used green for the apron and mixed it with the two violets for a background. I had fun painting the hair tendrils with calligraphy strokes.

After “staring time,” I’m thinking I will glaze over the green tones a bit with something warm. Stay tuned.

Update 1/27: I worked on this painting more over the last two days. I glazed over the green tones with Raw Sienna Light and Rose of Ultramarine added more darks to the hair, and fiddled with the far eye a bit.

Note: If you click on the images and open them in new browser tabs, you can click between them to see the subtle differences better.

Spiked – Painting

Spiked

Portrait #21 of my 30×30 portrait challenge. Over 2/3rds of the way there. Woot! “Spiked” watercolor on 140 lb Arches cold press, 7.5″x11″. Click on images to see a larger view in a new browser tab.

I began wet-into-wet and intended to do an ethereal and unrealized portrait. Once again, I took it to the “too much” level. Sigh. I used 5 colors this time. Rose of Ultramarine, Raw Sienna Light, Pyrrol Red by Daniel Smith, as well as Ultramarine Blue and Translucent Orange by Schminke. Oh, and some Titanium White.

I started out wet-into-wet and left the paper wetter than I normally do. I painted in value layers from the graphite value study I had done previously. I “pushed” the colors a bit more than they appear in the reference photo, wanting to have a vibrant contrast between the violets and yellows.

Spiked – Graphite 11″x7.5″

I “finished” before completing the painting. I felt dissatisfied with it until I propped it up for display at home. Now I quite like it. This experience usually has the opposite effect. ha!  Though, I still want to bring some of the yellow to the left side of the background and soften a few edges here and there… Oh, and sign it. I usually only sign a painting once I consider it done.

Stay tuned to this blog post for any updates.

Buy Now with PayPal

All these small portraits (7.5″x11) are for sale. $185 (plus taxes and or shipping, where applicable). The price also includes a white black core mat with outside dimensions of 11″x14″ (standard frame opening size), foam core backing and clear cellophane packaging.

With a Blue Streak

“With a Blue Streak”

Portrait #17 of my 30 x 30 Portrait Challenge. “With a Blue Streak” 7.5″x11″ graphite.

This is a preparatory drawing for a watercolor painting. I thought I’d post some progress photos.

Stage 1

Stage 2

First I did contour drawing of the shadow shapes. See “Stage 1′. I shaded in the shadow shapes, either on or off, white or light shadow only.

Stage 3

I then brought in smaller, darker shadow shapes. And voila… out pops the image. It never ceases to amaze me how a face shows up on a blank piece of paper.

Between Stage 3 and the final stage, I made some adjustments to the eyes and mouth.

Click on images for a larger view in a new tab. Next up painting. Stay tuned to find out about that blue streak?

16th Painting 30×30 Direct Watercolor Challenge – Mrs Cluck

Mrs. Cluck – Final Painting

Mrs. Cluck continues my efforts for the Facebook 30x30DirectWatercolor Challenge.

This is a small work created on Arches 140lb cold press, painted without any drawing and wet-into-wet. I used my #14 Lowe-Cornell round brush throughout. Pigments used are Raw Sienna Light, Hansa Yellow Medium, Quinacridone Red, Pyrrol Red and Cobalt Blue (all Daniel Smith).

Mrs. Cluck – 1st Stage

I saturated the paper, then dried it back with a towel (see previous blog posts). I began by painting the shadow side of the bird with Raw Sienna and Hansa Yellow Medium.

Mrs. Cluck  (Headless chicken) – 2nd Stage

I then found the bird by painting around with a background color, using the cobalt and pyrrol red, then dropping in some of the raw sienna as well. This created a silhouette of the main subject. In some places, I purposely let the yellow color bleed into the background color, in other areas I kept a white “reservoir” edge.

Mrs. Cluck (She found her head) – 3rd Stage

To find the chicken’s comb and wattle, I dropped in the Quinacridone Red while the yellow pigment was very wet. After hinting at the head wet-into-wet, I had to let the painting dry back a bit to the damp stage.

Mrs. Cluck – 4th Stage

After the paper was damp (not wet), I painted some darker shadow shapes in an around the chicken’s head.  I added some soft shadow indications in the feathers, legs, and feet.

Mrs. Cluck – Final Painting (Click on image for a larger view)

After the painting had dried some more to almost dry, I touched in some more shadow details to finish the painting.

Mrs. Cluck, 7.5″x5.5 watercolor.  If interested in purchasing this painting, it can be had for a mere $150 (with frame & mat). In July, “Mrs. Cluck” will be “goin’ to the show.” She will be a part of my featured artist show with Artsy Fartsy Art Gallery in Carson City. Check payers and those who live far, far away will incur additional shipping charges. Taxes additional, where applicable.

Mrs. Cluck $150 (with frame & mat)


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